The grant and budget would pay for the script writer, music arranger, recording studio, puppet materials, additional puppet builder, scenery and props, photographer, talent rehearsal and performance stipend. Along with that, I had a community of people ready to lend a hand. Derek Lux is a builder from LA who was kind enough to buy an Up In Arms t-shirt when I had them printed to raise funds. I always enjoyed his artistry and was happy to be able to employ him as my additional builder. Although the materials were supplied, he jumped in at a reduced fee to help build some of the puppets. Pasha Romanowski from Project Puppet has always been a champion of all we do at Up In Arms and lent his artistry in drawing some initial concept designs for many of the characters. When it came time to construct props, I needed a drawing of a young monster for a cereal box. Of course, Dave Hulteen came to mind and I knew just the character of his I wanted to use. When I asked for use of the character, he not only allowed me to use it but, mocked up what he thought the cereal box cover might look like and it’s now being used in the show. These are all people that I’ve developed relationships with online over the years but, it still fills me with love and support that these people believe in what I do. Relationships in this community are everything to me. I met puppeteer Charlie Kanev at the POA festival in Swarthmore, PA last summer and he wanted to help in any way he could. I want to support this young talent, not only because of the friendship we’ve forged but, because of the amazing artistry and potential that he so obviously has. When I needed a butterfly for the opening scene, Charlie, with his knowledge of rod puppet mechs, built me a beautiful butterfly rod puppet with flapping wings. Charlie was instrumental in designing and painting some of the set pieces as well and will be puppeteering for the premiere performances. A designer I met at the Puppetry Guild of Greater New York (NYC) was Justin DuPont who designed and built a simple rolling frame for the monster’s doors which roll on and off during the show.
Of course, there are more than just puppeteers and puppet builders that made this show happen. I’m lucky to be part of an arts community where I live and called upon talented friends for the initial table-read of the show, vocal talent to record the show, Scott Test, our exceptional music arranger, my friend Hannah Blair Butler who created costumes for a few of the characters and, my insanely talented friend John Simpkins in Oregon who painted the backdrop for the show. Major kudos, of course, to my creative partner and script writer Alex Ishkanian for taking on the ‘monster’ task of bringing this story to life. “Monster Intelligence” is ready to be embraced by an audience with a community of exceptionally talented and caring individuals behind it.
Article by David Manley